2024
“Finger to finger thumb to thumb”
Minerva, 14 Vine Street, Redfern
14 November - 23 December 2024
installation view
installation view
Synchronize, 2024. Polystyrene, plastic, glue, chopsticks, plastic trolley, 600 x 710 x 710mm
Vape boy, 2024. Cardboard, carpet, string, clamps, glue, crayon, bike pedals, Damar varnish resin, pineapple candy, aluminum. 1640 x 580 x 600 mm
Yay Silver, 2024. Cardboard, acrylic paint, stainless steel paint, metal, aluminum, chopstick. 2120 x 510 x 650 mm.
Ion, 2024. Cardboard, acrylic liquid iron paint, plastic, tape, aluminum. 1030 x 300 x 300 mm
Red, 2023, Cardboard, acrylic paint, metal, string, aluminum, glue, 1820 x 580 x 500mm.
Wall of the flea #1, 2024. Cardboard, acrylic paint, paint tins, metal, cement, foam, tape. 2140 x 600 x 1700 mm (dimensions variable)
Beam, 2024. Metal, wood, light fitting, globe, clamps, 2200 x 160 x 310 mm
installation view
Rib, 2023. Cardboard, acrylic paint, tape plastic case, metal. 2080 x 520 x 620 mm
Wall of the flea #2, 2024. Cardboard, plasticine, cigarette filters, XXL pickup sticks, metal, tape, paint tin, studio detritus. 2160 x 600 x 2600 mm (dimensions variable)
Extra Virgin, 2023 – 2024. Cardboard, acrylic paint, metal, glue, plasticine, wax, found objects. 1520 x 510 x 650 mm
installation view
installation view
Selfy after Picasso, 2023. Cardboard, acrylic paint, soapstone, crayon. 820 x 400 x 230 mm
Peaches, 2024. Cardboard, acrylic paint, wood, string, metal. 2200 x 650 x 950 mm
Sol Replacement, 2024. Polystyrene, cardboard, metal, foam, tape, wax, glitter bottle, plastic, 1550 x 460 x 600 mm
Ishtar, 2024. Cardboard, rubber, acrylic paint, clamps, cosmetic lids, tape, pins, aluminum. 1900 x 800 x 700 mm
Pi, 2024. Cardboard, tape, foam, stickers, acrylic paint, staples. 2180 x 510 x 460 mm
Goldie, 2024. Cardboard, acrylic paint, leather, wax, hessian, metal, found objects, string. 1300 x 560 x 570 mm
Goldie (detail), 2024. Cardboard, acrylic paint, leather, wax, hessian, metal, found objects, string. 1300 x 560 x 570 mm
Goldie (detail), 2024. Cardboard, acrylic paint, leather, wax, hessian, metal, found objects, string. 1300 x 560 x 570 mm
installation view
Gate, 2024. Cardboard, marker, stickers, fake fur, aluminum. 1800 x 300 x 340 mm
Pythagoras4, 2024. Cardboard, acrylic paint, tape, glue. 1400 x 650 x 220 mm (dimensions and configuration variable)
2 finger, 2024. Plastic, elastic, wood, paint. 1310 x 40 x 60 mm each (dimensions and configuration variable)
Finger, 2023. Plastic, elastic, wood, tape. 420 x 320 x 120 mm
Tongue, 2024. Wood, fabrics, leather, staples, bricks, cement, acrylic paint. 2110 x 460 x 740 mm
“Finger to finger thumb to thumb”
Minerva, 14 Vine Street, Redfern, Sydney, Australia.
14 Nov - 26 Dec, 2024
Finger to finger, never to linger, the wind doesn’t blow, it sucks
Time is an elastic medium in which the past and present are one
In the circus of contemporary existence, where words are shackled in social stocks,
and politicians dance like clowns on a tightrope, primal thoughts surface
Thumb to thumb sure come, when will we become one
When socio-politico limitations are placed on what we can and can’t say or do and catastrophes are both evident and pending, primal thinking emerges as a way to share and care.
Everyday common materials - the primary things that make up our world as a meaningful matrix of objects from the global web of interconnected assemblages - are brought forward into play. The aura, vitality, and historicity embedded within mundane materials are used as a productive resistance against a civilization of excessive industrialised production-consumption-rejection cycles and as a metaphor for the value/less and worth/less of the subjective self and less visible others.
All kinds of cast-offs, abandoned desire, waste considered useless are ‘saved’, sieved, and brought back into circulation through the flux and flow of the studio habitat in a raw and unfolding process. Transformations and interventions are made with intuition and thought in search for the surprise, failure, and magic. Assembled anti-monumental semi-figurative structures and primal abstract forms/shapes date back to the Neolithic period, Dada, Arte Povera, and Process Art. From the ordinary, the discarded and unloved, the utilitarian and manufactured, a poetry of equivalences and reciprocities emerges.
PH
Documentation Jessica Maurer Photography